Wednesday, September 4, 2019

Indian lit. in english - Untouchable :: essays research papers fc

Indian lit. in english paper The Untouchable by Mulk Raj Anand Mulk Raj Anand, one of the most highly regarded Indian novelists writing in English, was born in Peshawar in 1905. He was educated at the universities of Lahore, London and Cambridge, and lived in England for many years, finally settling in a village in Western India after the war. His main concern has always been for "the creatures in the lower depths of Indian society who once were men and women: the rejected, who has no way to articulate their anguish against the oppressors'. His novels works have been translated into several world languages. Untouchable (1935) Coolie (1936) Two Leaves and a Bud (1937) The Village (1939) Across the Black Waters (1940) The Sword and the Sickle (1942) Private Life of an Indian Prince (1953) The Indelible Problem: Mulk Raj Anand and the Plight of Untouchability Andrew M. Stracuzzi The University of Western Ontario Mulk Raj Anand, speaking about the real test of the novelist, once said: It may lie in the transformation of words into prophesy. Because, what is writer if he is not the fiery voice of the people, who, through his own torments, urges and exaltations, by realizing the pains, frustrations and aspirations of others, and by cultivating his incipient powers of expression, transmutes in art all feeling, all thought, all experience - thus becoming the seer of a new vision in any given situation. (qtd. in Dhawn, 14) There is no question that Mulk Raj Anand has fashioned with Untouchable a novel that articulates the abuses of an exploited class through sheer sympathy in the traditionalist manner of the realist novel He is, indeed, the "fiery voice" of those people who form the Untouchable caste. Yet if the goal of the writer, as Anand himself states, is to transform "words into prophecy," then the reader's struggle for meaning in the closing scenes of the novel become problematic and contestatory. It is reasonable to assume -- and as I would argue, it is implied -- that Anand has ventured to address a specific question with writing Untouchable; this is, how to alleviate the exploitation of the untouchable class in India? He then proceeds to address this question through the dramatization of Bahka, the novel's central character. Having said this -- and taking into account Anand's notion of the novel as prophesy -- I will argue that the author has failed to fully answer the ques tion he has set before him.

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